Staunton Music Festival has always had a mission to present a compelling mix of music from the past 600 years to show those works in new and interesting relations. To further that goal, we developed "Perspectives", a series of short videos that will take you deeper inside the music we perform. Videos will feature SMF performers, composers, and historians sharing their insights about the music, recollections about specific performances they have given at the festival, and broader historical context in which music is created.
Each "Perspective" video will include links to related content from our video archive, including full concert performances. All videos are available for viewing at any time, so explore at your leisure!
THIS WEEK'S PERSPECTIVES (August 4, 2020)
Historically, the trumpet played the all-important role in civic life of signaling alarm--from invading armies to fires ranging within city walls. But gradually, in musical terms, it shed earthly connections to herald heavenly splendor. In this Perspective, Seattle-based baroque trumpeter Kris Kwapis talks about her instruments and the repertoire she loves to perform.
Zachary Wadsworth first appeared at Staunton Music Festival as an "Emerging Composer" in 2011. Since then he has written over a dozen commissioned works for the festival and has appeared as pianist and tenor each season. Wadsworth brings originality and true poetry to all that he creates.
ALSO: Both Kris and Zach have sent video postcards! Learn more about all the postcards we have received by clicking the image below.
Carsten Schmidt and Jason Stell introduce the new Perspectives Video Series, which seeks to provide audiences with a deeper appreciation of music and the people who perform each season with Staunton Music Festival.
In this Perspective Alek Fester, based in Basel, Switzerland, shows his collection of period oboes and discusses their expressive differences in performances from Bach to Schubert.
During the 2020 pandemic shutdown, four festival percussionists link up via video conference to discuss favorite moments and works, as well as the ways in which percussion music has become a vital factor at SMF.
What is a fugue? Staunton Music Festival artistic director Carsten Schmidt sits down at the harpsichord to explain and demonstrate the basic principles of what made the fugue so attractive to composers.
From Josquin to Piazzolla and beyond, Carsten Schmidt exploresthe great richness of the fugue genre in works presented in August 2019.
Noted music historian Tim Carter (UNC-Chapel Hill) provides a broad perspective from which to consider Vivaldi's ever-popular Four Seasons concertos. He is joined by Finnish violinists Minna Pensola and Antti Tikkanen.
Conductor James Wilson and piano soloist Lori Piitz reflect back on their collaborative performance of George Gershwin's "I Got Rhythm" Variations.
From his home in New York City, clarinetist Ed Matthew talks about his collection of period clarinets, ranging from Baroque chalumeaux through the classical era to modern instruments.
Like many arts organizations, Staunton Music Festival is facing severe reductions in revenue for the current season. Please consider making a tax-deductible donation today to support the Perspectives video series and the artists involved with SMF. Your support will make additional videos possible!
We are seeking sponsors for individual videos. If you are interested to learn more, contact us at 540-569-0267 or email@example.com. Thanks!
Some 20 video Perspectives are already planned, including:
- Vivaldi's "Summer" and "Winter" from Helsinki
- Postcards from Friendly Faces
- 400 Years of the Trumpet
- Voices of Buenos Aires
- Understanding the Riddle of Fugues
- Bach's Chorale Portfolio, and many more