Paul Max Tipton
Described by the Atlanta Journal-Constitution as a dignified and beautiful singer, Paul Max Tipton, bass-baritone, performs nationally to acclaim in repertoire ranging from Schütz and Monteverdi to Britten and Bolcom. He solos under such notable figures as Masaaki Suzuki, Matthias Pintscher, Nicholas McGegan, Leonard Slatkin, Ton Koopman, Helmuth Rilling and Martin Katz, and has performed with the Bach Collegium Japan, New York Philharmonic, Apollo's Fire, Seraphic Fire, and the Orchestra of St. Luke’s. Recent engagements include Britten’s War Requiem, Rameau’s La Lyre Enchantée, and a recording of Brahms’ Ein Deutsches Requiem, Op. 45 which earned a 2012 Grammy nomination. His singing of the Bach Passions are noted in particular for their strength and sensitivity. He studied at the University of Michigan at Ann Arbor and Yale University, and is a Lorraine Hunt Lieberson Fellow at Emmanuel Music in Boston.
This Artist performs in the following events:
Serenades at Noon, Musica Transatlantica, Musica Transalpina, Time Lost & Found, Summer Sounds, Masters & Students, Love & Repercussions, Song Fest, (Non)Sense & Sensibility, Baroque Inside/Out, Seeing Double, Acis & Galatea